Monday, February 17, 2020

Pakistan Culture of Dance

                              Pakistan Culture of Dance

                                                                                                                                                                                      

                                                                   
 Folk dances like Kathak are still enjoyed all over Pakistan and are a part of the local culture. There is also other dance traditions signature of various regions.Much of modern music developed during the early 1980s when Pop music was first introduced by Nazia Hassan, and soon followed by a burst of musical bands like the Vital Signs, Strings, and Junoon


Music has long been a part of Pakistani culture, and the country was greatly influenced by the northern Indian tradition of Hindustani music. Traditional and local styles abound. The ghazal a type of romantic poem, is often put to music. Ghazal singers such as Mehdi Hassan and Ghulam Ali have developed a broad following at home and abroad. Qawwali, a form of devotional singing associated with Sufism, is also widely practiced and has influenced a number of popular styles. One of its greatest adherents, Nusrat Fateh Ali Khan, became famous in Pakistan and the broader world. Traditional instruments include the sitarrabab (a fiddlelike stringed instrument), and dhol (bass drum) 
                                                                
                          


The variety of Pakistani music ranges from diverse provincial folk music and traditional styles such as Qawwali which is played by men clapping, singing and playing drums and Ghazal Gayaki to modern forms fusing traditional and Western music.


Pakistan is home to many famous folk singers such as the late Alam Lohar, who is also well known in Indian Punjab. The arrival of Afghan refugees in the western provinces has rekindled Dari music and established Peshawar as a hub for Afghan musicians and a distribution center for Afghani music abroad.

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